In his 1912 edition of the play, editor A. C. Judson argued that Jonson modelled this play (for him, an atypically unrealistic work) on the plays of John Lyly, specifically Lyly's Galathea, Midas, Sapho and Phao, and Endymion. Among many resemblances and relationships, Jonson's pages in Cynthia, "Cupid, Morus, and the rest, are repetitions of Samias, Dares, and Epiton" in Endymion.[3] Though Jonson refers to Lyly's plays as umbrae, plays long dead, Judson disputes the view of other critics that Jonson was satirising or ridiculing Lyly. An adapted "Ode to Cynthia" was used by Mike Oldfield in Incantations.
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