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Crime and Punishment Study Guide
Crime and Punishment E-Text contains the full text of Crime and Punishment.
- Translator's Preface
- Part One, Chapters I-II
- Part One, Chapters III-IV
- Part One, Chapters V-VII
- Part Two, Chapters I-II
- Part Two, Chapters III-IV
- Part Two, Chapters V-VI
- Part Two, Chapter VII
- Part Three, Chapters I-II
- Part Three, Chapters III-IV
- Part Three, Chapters V-VI
- Part Four, Chapters I-II
- Part Four, Chapters III-IV
- Part Four, Chapters V-VI
- Part Five, Chapters I-II
- Part Five, Chapters III-IV
- Part Five, Chapter V
- Part Six, Chapters I-II
- Part Six, Chapters III-IV
- Part Six, Chapters V-VI
- Part Six, Chapters VII-VIII
- Epilogue, Chapters I-II
- Sources
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- Study Guide for Crime and Punishment
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- Biography of Fyodor Dostoevsky
How does the author use the images of sun/shadow, air, water, heart, stairs, time and vegetation? DO Raskolnikov's feelings for or attitudes toward these elements change as the novel develops?
Some analytical questions on C&P
13. At Marmeladov’s death scene, Raskolnikov is covered with blood—just as at the murder scene. Explain his reaction to blood in both scenes.28. What has Porfiry learned about Raskolnikov before he comes to his office? Porfiry says: “If only you know how you interest me.” Does Porfiry know Raskolnikov? How? Through the fainting? Because of Zametov? Because of Raskolnikov’s extraordinary man theory?
i would greatly appreciate it if someone could help me out on these :)
