In her 1992 monograph for the British Film Institute, critic Laura Mulvey explored the anti-fascist themes of Citizen Kane. The News on the March newsreel presents Kane keeping company with Hitler and other dictators while he smugly assures the public there will be no war.:44 Mulvey wrote that the film reflects "the battle between intervention and isolationism" then being waged in the United States; the film was released six months before the attack on Pearl Harbor, while President Franklin D. Roosevelt was laboring to win public opinion for entering World War II. "Not only was the war in Europe the burning public issue of the time," Mulvey wrote, "it was of passionate personal importance to Orson Welles … In the rhetoric of Citizen Kane, the destiny of isolationism is realised in metaphor: in Kane's own fate, dying wealthy and lonely, surrounded by the detritus of European culture and history.":15
Journalist Ignacio Ramonet has cited the film as an early example of mass media manipulation of public opinion and the power that media conglomerates have on influencing the democratic process. Ramonet believes that this early example of a media mogul influencing politics is outdated and that "today Citizen Kane would be a dwarf. He owned a few papers in one country. The forces that dominate today have integrated image with text and sound and the world is their market. There are media groups with the power of a thousand Citizen Kanes." Media mogul Rupert Murdoch is sometimes labeled as a latter-day Citizen Kane.