- Rooney, Anne. Atonement: York Notes Advanced (London: York Press, 2006) ISBN 978-1405835619
- Bentley, Nick. "Ian McEwan, Atonement". In Contemporary British Fiction (Edinburgh: Edinburgh University Press, 2008), 148–57. ISBN 978-0-7486-2420-1.
- Crosthwaite, Paul. "Speed, War, and Traumatic Affect: Reading Ian McEwan's Atonement." Cultural Politics 3.1 (2007): 51–70.
- D'hoker, Elke. "Confession and Atonement in Contemporary Fiction: J. M. Coetzee, John Banville, and Ian McEwan." Critique 48.1 (2006): 31–43.
- Finney, Brian. "Briony's Stand Against Oblivion: The Making of Fiction in Ian McEwan's Atonement." Journal of Modern Literature 27.3 (2004): 68–82.[1]
- Harold, James. "Narrative Engagement with Atonement and The Blind Assassin." Philosophy and Literature 29.1 (2005): 130–145.
- Hidalgo, Pilar. "Memory and Storytelling in Ian McEwan's Atonement." Critique 46.2 (2005): 82–91.
- Ingersoll, Earl G. "Intertextuality in L. P. Hartley's The Go-Between and Ian McEwan's Atonement." Forum for Modern Language Studies 40 (2004): 241–58.
- O'Hara, David K. "Briony's Being-For: Metafictional Narrative Ethics in Ian McEwan's Atonement." Critique: Studies in Contemporary Fiction 52.1 (December 2010): 72–100.
- Salisbury, Laura. "Narration and Neurology: Ian McEwan's Mother Tongue", Textual Practice 24.5 (2010): 883–912.
- Schemberg, Claudia."Achieving 'At-one-ment': Storytelling and the Concept of Self in Ian McEwan's The Child in Time, Black Dogs, Enduring Love and Atonement." Frankfurt am Main: Peter Lang, 2004.
- Phelan, James. "Narrative Judgments and the Rhetorical Theory of Narrative: Ian McEwan's Atonement." A Companion to Narrative Theory. Ed. James Phelan and Peter J. Rabinowitz. Malden, MA: Blackwell, 2005. 322–36.
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