Antony and Cleopatra (Folger Shakespeare Library)
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Antony and Cleopatra

by William Shakespeare

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Citations

  1. ^ a b Neill, Michael, ed. Antony and Cleopatra. Oxford: Oxford University Press, 1994
  2. ^ Bevington, David, ed. Antony and Cleopatra. Cambridge: Cambridge University Press, 1990: 12–14 ISBN 0521848334.
  3. ^ Wilders, John (ed.) "Antony and Cleopatra" (Arden third series, 1995)
  4. ^ Miola, Robert S. (2002). "Shakespeare's ancient Rome: difference and identity". In Hattaway, Michael. The Cambridge Companion to Shakespeare's History Plays. Cambridge University Press. doi:10.1017/CCOL052177277X. ISBN 0521775396. 
  5. ^ Bloom, Harold. "Shakespeare: The Invention of the Human" (Riverhead Books, 1998) ISBN 157322751X.
  6. ^ Kermode, Frank. "Shakespeare's Language" (Penguin, 2000) ISBN 014028592X.
  7. ^ Hunter, G. K. (1986). "Shakespeare and the Traditions of Tragedy". In Wells, Stanley. The Cambridge Companion to Shakespeare Studies. Cambridge University Press. ISBN 0521318416. 
  8. ^ A. R. Braunmuller and Michael Hattaway (eds.) "The Cambridge Companion to English Renaissance Drama" 2nd edition (Cambridge University Press, 2003) ISBN 0521527996
  9. ^ Kennedy, Dennis (2001). "Shakespeare Worldwide". In de Grazia, Margreta; Wells, Stanley. The Cambridge Companion to Shakespeare. Cambridge: Cambridge University Press. doi:10.1017/CCOL0521650941. 
  10. ^ Alfred Harbage Pelican/Viking editions of Shakespeare 1969/1977, preface.
  11. ^ Wells, Stanley, and Gary Taylor. William Shakespeare: A Textual Companion. Oxford: Oxford University Press, 1987: 549 ISBN 039331667X.
  12. ^ Janet Adelman, “Tradition as Source in Antony and Cleopatra,” from The Common Liar: an Essay on Antony and Cleopatra (New Haven: Yale University Press, 1973), reprinted in Antony and Cleopatra: A Norton Critical Edition, ed. Ania Loomba (New York: W.W. Norton & Co., 2011): 183.
  13. ^ James, Heather (1997). Shakespeare’s Troy: Drama, Politics and the Translation of Empire. Cambridge: Cambridge University Press. p. 145. ISBN 0521033780. 
  14. ^ McCombe, John P. (Winter 2008). "Cleopatra and Her Problems: T.S. Eliot and the Fetishization of Shakespeare's Queen of the Nile". Journal of Modern Literature 31 (2): 23–38. doi:10.2979/JML.2008.31.2.23. JSTOR 30053266. 
  15. ^ a b Jiménez-Belmonte, Javier (2011). "History of a Bite: Cleopatra in Thirteenth-Century Castile". La Corónica: A Journal of Medieval Hispanic Languages, Literatures, and Cultures 40 (1): 5. doi:10.1353/cor.2011.0026. 
  16. ^ Alder, Doris (1982). "The Unlacing of Cleopatra". Theatre Journal 34 (4): 450–66. doi:10.2307/3206808. JSTOR 3206808. 
  17. ^ a b c d e Fitz, L. T. (1977). "Egyptian Queens and Male Reviewers: Sexist Attitudes in Antony and Cleopatra Criticism". Shakespeare Quarterly 28 (3): 297–316. doi:10.2307/2869080. JSTOR 2869080. 
  18. ^ a b c d e f g Freeman, Donald C. (1999). ""The Rack Dislimns": Schema and Metaphorical Pattern in Antony and Cleopatra". Poetics Today 20 (3): 443–60. JSTOR 1773274. 
  19. ^ Royster, Francesca T. Becoming Cleopatra: The Shifting Image of an Icon. New York City: Palgrave MacMillan, 2003. ISBN 1403961093.
  20. ^ Holmberg, Arthur (1980). "Estelle Parsons' Antony and Cleopatra". Shakespeare Quarterly 31 (2): 195–97. doi:10.2307/2869528. 
  21. ^ a b c d Jonathan Gil Harris (1994). "'Narcissus in thy Face': Roman Desire and the Difference it Fakes in Antony and Cleopatra". Shakespeare Quarterly 45 (4): 408–425. doi:10.2307/2870964. 
  22. ^ Schafer, Elizabeth (1995). "Shakespeare's Cleopatra, the Male Gaze, and Madonna: Performance Dilemmas". Contemporary Theatre Review 2,3 (3): 7–16. doi:10.1080/10486809508568310. 
  23. ^ a b c d e f g Mary Thomas Crane (2009). "Roman World, Egyptian Earth: Cognitive Difference and Empire in Shakespeare's Antony and Cleopatra". Comparative Drama 43 (1): 1–17. doi:10.1353/cdr.0.0041. 
  24. ^ a b c d e f g Rose, Paul L. (1969). "The Politics of Antony and Cleopatra". Shakespeare Quarterly 20 (4): 379–89. doi:10.2307/2868534. 
  25. ^ a b c d e f Hirsh, James. “Rome and Egypt in Antony and Cleopatra and in Criticism of the Play. ” Antony And Cleopatra: New Critical Essays. Ed. Sara Munson Deats. New York: Routledge, 2005. 175–191. ISBN 0415411025.
  26. ^ Floyd-Wilson, Mary. English Ethnicity and Race in Early Modern Drama. Cambridge: Cambrdige University Press, 2003. 1–2. ISBN 0521810566.
  27. ^ Gillies, John. Shakespeare and the Geography of Difference. Cambridge: Cambridge University Press, 1994. 118. ISBN 0521458536.
  28. ^ a b Greene, Gayle (1981). "Feminist and Marxist Criticism: An Argument for Alliances". Women's Studies 9: 29. doi:10.1080/00497878.1981.9978553. 
  29. ^ Georg Brandes, William Shakespeare. A Critical Study, trans. William Archer and Diana White (New York: F. Unger, 1963): 144
  30. ^ Georg Brandes, William Shakespeare. A Critical Study, trans. William Archer and Diana White (New York: F. Unger, 1963): 158
  31. ^ a b Hall, Joan Lord (1991). "'To The Very Heart Of Loss': Rival Constructs Of 'Heart' In Antony And Cleopatra". College Literature 18 (1): 64–76. 
  32. ^ Antony and Cleopatra, I.1.2–10
  33. ^ a b Starks, Lisa S. (1999). "'Like the lover's pinch, which hurts and is desired': The Narrative of Male Masochism and Shakespeare's Antony and Cleopatra". Literature & Psychology 45 (4): 58. 
  34. ^ Antony and Cleopatra II.2.203-7
  35. ^ a b c d e Palusci, Oriana (2007). ""When Boys Or Women Tell Their Dreams": Cleopatra And The Boy Actor". Textus 20 (3): 603–616. 
  36. ^ Antony and Cleopatra III.7.37–38
  37. ^ Antony and Cleopatra III.11.65-8
  38. ^ Yachnin, Paul (1993). "Shakespeare's Politics of Loyalty: Sovereignty and Subjectivity in Antony and Cleopatra". Studies in English Literature, 1500–1900 33 (2): 343–363. doi:10.2307/451003. JSTOR 451003. 
  39. ^ Antony and Cleopatra I.1.16
  40. ^ Hooks, Roberta (1987). "Shakespeare's "Antony and Cleopatra": Power and Submission". American Imago 44 (1). Retrieved 13 May 2012. 
  41. ^ "Antony and Cleopatra" I.2.105–106
  42. ^ "Antony and Cleopatra" I.1.35–42
  43. ^ a b c d e f Rackin, Phyllis (1972). "Shakespeare's Boy Cleopatra, the Decorum of Nature, and the Golden World of Poetry". Modern Language Association 87 (2): 210–212. JSTOR 460877. 
  44. ^ a b Jones, Gordan P (1982). "The "Strumpet's Foll" in Antony and Cleopatra". Shakespeare Quarterly: 62–68. 
  45. ^ Adelman, Janet. The Common Liar. New Haven: Yale University Press, 1973.
  46. ^ Barroll, J. Leeds (1958). "Enobarbus's Description of Cleopatra". Texas University Studies in English 37. 
  47. ^ Coates, John (1978). "The Choice of Hercules in Antony and Cleopatra". Shakespeare Survey. Shakespeare Survey 31: 45–52. doi:10.1017/CCOL0521220114.005. ISBN 0521220114. 
  48. ^ a b c Sedinger, Tracey (1997). ""If Sight and Shape be True": The Epistemology of Crossdressing on the London Stage". Shakespeare Quarterly 48 (1): 63–79. doi:10.2307/2871401. JSTOR 2871401. 
  49. ^ a b Forker, Charles (1990). "Sexuality and Eroticism on the Renaissance Stage". South Central Review 7 (4): 1–22. doi:10.2307/3189091. 
  50. ^ a b c d e f g h i Little, Arthur L. Shakespeare Jungle Fever: National-imperial Re-visions of Race, Rape, and Sacrifice. Stanford, CA: Stanford UP, 2000. ISBN 0804740240.
  51. ^ a b Moore, John Rees (1969). "The Enemies of Love: The Example of Antony and Cleopatra". The Kenyon Review 31 (5): 646–674. JSTOR 4334968. 
  52. ^ James, Max H (1981). ""The Noble Ruin": Antony and Cleopatra". College Literature 8 (2): 127–43. JSTOR 25111383. 
  53. ^ a b Quint, David (1981). "Epic and Empire". Comparative Literature 41 (1): 1–32. doi:10.2307/1770677. JSTOR 1770677. 
  54. ^ Morris, Helen (1969). "Queen Elizabeth I "Shadowed" in Cleopatra". Huntington Library Quarterly 32 (3): 271–278. doi:10.2307/3816968. JSTOR 3816968. 
  55. ^ Kalmey, Robert P (1978). "Shakespeare's Octavius and Elizabethan Roman History". Studies in English Literature, 1500–1900 18 (2): 275–287. doi:10.2307/450362. 
  56. ^ Scherer, Abigail (2010). "Celebrating Idleness: Antony and Cleopatra and Play Theory". Comparative Drama 44 (3): 277–297. doi:10.1353/cdr.2010.0003. 
  57. ^ Greenblatt, Stephen. “General Introduction: The Enemies of the Stage.” The Norton Shakespeare, Vol. 2: Later Plays. New York and London: W.W. Norton & Company, 2008.
  58. ^ Yachnin, Paul (1993). "Shakespeare's Politics of Loyalty: Sovereignty and Subjectivity in Antony and Cleopatra". Studies in English Literature, 1500–1900 33 (2): 343–363. doi:10.2307/451003. 
  59. ^ Williamson, Marilyn (1970). "Political Context in Antony and Cleopatra". Shakespeare Quarterly 21 (3): 241–251. doi:10.2307/2868701. 
  60. ^ Wolf, William D. (1982). ""New Heaven, New Earth": The Escape from Mutability In Antony and Cleopatra". Shakespeare Quarterly 33 (3): 328–335. doi:10.2307/2869736. JSTOR 2869736. 
  61. ^ a b Miles, Gary B. (Autumn 1989). "How Roman are Shakespeare's "Romans"?". Shakespeare Quarterly 40 (3): 257–283. doi:10.2307/2870723. JSTOR 2870723. 
  62. ^ Potter, Lois (2007). "Assisted Suicides: Antony and Cleopatra and Coriolanus in 2006-7". Shakespeare Quarterly 58 (4): 509–529. doi:10.1353/shq.2007.0064. 
  63. ^ Case, A. E., ed. British Dramatists from Dryden to Sheridan. Boston: Riverside Press, 1939: 6

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