Dreiser based the book on a notorious criminal case. On July 11, 1906, resort owners found an overturned boat and the body of Grace Brown at Big Moose Lake in the Adirondack Mountains of Upstate New York. Chester Gillette was put on trial, and convicted of killing Brown, though he claimed that her death was a suicide. Gillette was executed by electric chair on March 30, 1908.[2] The murder trial drew international attention when Brown's love letters to Gillette were read in court. Dreiser saved newspaper clippings about the case for several years before writing his novel, during which he studied the case closely. He based Clyde Griffiths on Chester Gillette, deliberately giving him the same initials.
The historical location of most of the central events was Cortland, New York, a city situated in Cortland County in a region replete with place names resonant of Greco-Roman history. Townships include Homer, Solon, Virgil, Marathon, and Cincinnatus. Lycurgus, the pseudonym given to Cortland, was the legendary law-giver of ancient Sparta. Grace Brown, a farm girl from the small town of South Otselic in adjacent Chenango County, was the factory girl who was Gillette's lover. The place where Grace was killed, Big Moose Lake in the Adirondacks, was called Big Bittern Lake in Dreiser's novel.
A strikingly similar murder took place in Wilkes-Barre, Pennsylvania, in 1934, when Robert Edwards clubbed Freda McKechnie, one of his two lovers, and placed her body in a lake. The cases were so similar that the press at the time dubbed the Edwards/McKechnie murder "The American Tragedy". Edwards was eventually found guilty, and also executed by electric chair.[3]
The novel is a tragedy, Clyde's destruction being the consequence of his innate weaknesses: moral and physical cowardice, lack of scruples and self-discipline, muddled intellect, and unfocused ambition; additionally, the effect of his ingratiating (Dreiser uses the word "soft") social manner places temptation in his way which he cannot resist.[4]
This novel is full of symbolism, ranging from Clyde's grotesque description of the high gloomy walls of the factory as an opportunity for success, symbolizing how it is all a mirage, to the description of girls as "electrifying" to foreshadow Clyde's destination to the electric chair; Dreiser transforms everyday mundane objects to symbols.[5]
Dreiser sustains readers' interest in the lengthy novel (over 800 pages) by the accumulation of detail, and by continually varying the "emotional distance" of his writing from Clyde and other characters, from detailed examination of their thoughts and motivations to dispassionate reportage.[6]
