All the Pretty Horses
The Manipulation of Western Tropes in All the Pretty Horses 12th Grade
Without a doubt, Cormac McCarthy’s All the Pretty Horses stays true to many common tropes within the Western genre. However; what makes this novel so unique is how McCarthy manipulates some of these important tropes. They are still present throughout the book, in fact, some of them are magnified through each part but as a whole, McCarthy openly manipulates some of the most popular ones in an attempt to highlight the development of the protagonist: John Grady Cole. Most importantly, McCarthy works the image of the cowboy, the importance of horses, a sense of lawlessness, and the gunslinger trope into All the Pretty Horses and alters the impact of them throughout the novel. As a whole, McCarthy implements these tropes to ensure that the novel stays true to the western genre but he manipulates them to highlight the psychological and physical journey of John Grady Cole.
In typical Western novels, the image of a cowboy is what drives the entire plot; a lawless, tough, gunslinger protagonist with a penchant for horses is the common archetype and it never changes throughout western novels. The common cowboy archetype is first exhibited by John Grady Cole when Rawlins asks him why he is leaving St. Angelo, Texas as he replied that he...
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