The Picture of Dorian Gray
Morality and Immorality (The Picture of Dorian Gray and A Streetcar Named Desire)
The measure of a manâs character is what he would do if he knew he never would be found out.
Morality is the very foundation of goodness and the pillar of righteousness. Immorality, however, is the threshold towards conspicuous malevolence. These two extremes are often but a step between which we are baffled and bemused. Morals undeniably establish the confinements of oneâs behaviour in any given society. Should these principles crumble, ethical boundaries would give way to anarchical freedom. Both works explored in this analysis illustrate the succumbing to immoral conduct for selfish purposes. In The Picture of Dorian Gray, by Oscar Wilde, we are intrigued by a charming Englishman who discards his innocence and embraces loathsome hedonism. Tennessee Williamsâ A Streetcar Named Desire confronts us with a stout and virile figure who abides to no opposing authority than his own. Two unscrupulous characters surface from different worlds with the equivalent dismissal of moral values common to humankind. Although one is characterised by beauty and the other, by potency, they share the same vivid animation of unrestrained cruelty. It is in their ominous acts that their factual embodiment is exposed. Wilde and Williams...
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