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The whole play takes place in one room. Until the last act, Nora is in every scene; she never seems to leave the room. The action of the play all comes to her. She is literally trapped in domestic comfort. She is given her “housekeeping” money by Helmer as though she is a doll in a doll's house. The play suggests that this treatment is condescending and not an appropriate way to treat one’s wife. Nora is called a number of diminutive, childlike names by Torvald throughout the play. These include "little songbird," "squirrel," "lark," "little featherhead," "little skylark," "little person," and "little woman." Torvald commonly uses the modifier "little" before the names he calls Nora. These are all usually followed by the possessive "my," signaling Torvald's belief that Nora is his. This pattern seems like more than just a collection of pet names. Overall, he sees Nora as a child of his.
Nora finally has enough of being treated like a child. She decides to leave Torvald to find herself. Nora seeks to find Nora instead of being content as merely Torvald's wife.